Glazed Earthenware
Tin glazed earthenware, being pottery of all sorts and colors, is earthenware covered in glaze containing tin oxide which is white, shiny and opaque, which is said to have been invented in Iran in the 9ᵗʰ century to imitate Chinese porcelain. From there it spread to Egypt, Persia and Spain before reaching Italy in the Renaissance, Holland in the 16ᵗʰ century and England, France and other European countries shortly after. There are mainly 5 types of tin glazed earthenware found in Europe, which are;

Hispano-Moresque (Spain);
Tin-glazed, lustred earthenware made by Moorish potters in Spain, chiefly at Málaga in the 15ᵗʰ century, and in the region of Manises, near Valencia, in the 16ᵗʰ century. The tin glaze was applied over a design usually traced in cobalt blue; after the first firing, the lustre, a metallic pigment, was applied by brush over the tin glaze, and the piece was fired again. The effect varies from a pale yellow iridescence in early pieces to a coarser, copperish iridescence in late work. Early designs are Islamic: the tree of life, palm motifs, and Arabic inscriptions, for example. Later designs combine Islamic and Italian Renaissance motifs. Misspelled or intentionally illegible Arabic inscriptions indicate that the work was taken over by Spanish Christian craftsmen. Imitation of this pottery in Italy led to the development of Italian maiolica ware.
Factories mainly in the communities of Andalusia, Valencia and Catalonia

Maiolica (Italy);
Maiolica is Italian tin-glazed pottery dating from the Renaissance period. It is decorated in colours on a white background, sometimes depicting historical and mythical scenes, these works known as istoriato wares ("painted with stories"). By the late 15th century, several places, mainly small cities in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond.
Factories mainly in the towns of Faenza, Arezzo, Siena, Deruta, Castel Durante, Urbino, Gubbio, Pesaro, Padua, Venice, Turin, Palermo, Savona and Caltagirone in Sicily.

Delftware, named for the Dutch markets from the 16ᵗʰ century, when it was introduced, until the 18ᵗʰ century with factories in Middelburg, Haarlem, Amsterdam, Gouda, Rotterdam and Dordrecht.

English delftware, began its production in the mid 16ᵗʰ century after two Antwerp potters, Jasper Andries and Jacob Jansen arrived Norwich with factories in London, Bristol and Liverpool and with smaller centers at Wincanton, Glasgow and Dublin.

Faience, conventional name in English for fine tin-glazed pottery on a delicate pale buff earthenware body, originally associated by French speakers with wares exported from Faenza in northern Italy.

Such tin glazed earthenware are often seen in local auctions especially 17ᵗʰ and 18ᵗʰ Maiolica pieces from the Caltagirone Sicily as vast quantities were imported during and after the De Vilhena period (1722-1736), boosting a rather vast competing crowd and fetch good prices. Faience and Delft are also common, yet, not as sought-after as Maiolica. Hispano-Moresque commands a great deal of interest, thus, fetch good prices in local sales. As for English delftware, it is rarely seen in local markets as it was never imported as a choice of earthenware, unlike other types, and are extremely rare and the remaining existing pieces are usually found in English collections.

Glazed earthenware are frequently present in Fine Furnishings and Decorated Arts auctions at Centurion Auctioneers which are held regularly.

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Should you have any questions in regards to Glazed Earthenware articles that you might wish to evaluate or to list in future auctions, please visit the CONTACT page , the VALUATIONS page or the REQUEST INFORMATION page or send an email to Centurion Auctioneers - info@centurion-auctions.com
AN ITALIAN MAIOLICA ISTORIATO CHARGER (PIATTO DA POMPA)
CIRCA 1550-60, DUCHY OF URBINO, THE REVERSE INSCRIBED HORATIO IN LARGE SERIPH LETTERS

The centre with Horatius on horseback on the wooden bridge across the Tiber, fighting off the Etruscan army on the right, dead and wounded Etruscan soldiers at his feet and in the river before him, the fortifications of Rome to the left, a group of Romans frantically breaking up the bridge behind him with picks, with towers and fortifications in the far distance, within a blue line border and yellow band rim, the reverse inscribed HORATIO within three concentric yellow bands (slight chip to body at underside of rim at 10 o'clock, fritting and chipping to glaze at rim).

18 in. (45.8 cm.) diam.

Sold £97,250 Christie's auctions
AN URBINO MAIOLICA ARMORIAL ISTORIATO ALBARELLO
CIRCA 1580, ATTRIBUTED TO THE WORKSHOP OF MAESTRO ANTONIO PATANAZZI DI URBINO

Cylindrical, continuously painted with the Judgment of Paris, interrupted by a central stemma of a standing dove and three stars on an azure ground above a bend d'or, the escutcheon flanked by winged herm supports.

8 in. (20.3 cm.) high.

Sold $11,875 Christie's auctions
AN HISPANO-MORESQUE COPPER LUSTRE DISH
MID-16TH CENTURY, PROBABLY VALENCIA, MANISES

Decorated overall with stylised radiating leaves and blue foliage, pierced for suspension, restoration to rim.

15¾ in. (40 cm.) dia.

Sold £4,375 Christie's auctions
TWO CONTINENTAL FAIENCE CABBAGE TUREENS AND COVERS
18TH/19TH CENTURY, THE LARGER G.M. AND * MARK, PROBABLY ITALIAN

Each modeled naturalistically

11 ½ in. (29 cm.) wide, the larger.

Sold $52,500 Christie's auctions
AN ALCORA FAIENCE LARGE ARMORIAL CISTERN
THIRD QUARTER OF THE 18TH CENTURY

Of footed baluster form moulded with a lion's mask spout to the lower body, painted in green, blue, yellow, ochre and manganese with six vignettes depicting Neptune and his attendants, each within three double rocaille scrollwork frames en terrasse, each issuing foliage and surmounted by a female bust portrait, alternating with three crowned coats-of-arms including those of Aragon, the upper rim and foot each with three arrangements of rocaille scrollwork with flowers and berried foliage (chipping to rims, hairline cracks to neck).

20½ in. (52.1 cm.) high.

Sold £13,750 Christie's auctions
AN HISPANO-MORESQUE RUBY-LUSTRE AND BLUE FOUR-HANDLED BALUSTER VASE
CIRCA 1400-1450, PROBABLY VALENCIA, MANISES, INCISED HS A (?) MARKS

With four loop handles, painted and lustred with tapering panels of herringbone pattern in blue and ruby lustre alternating with panels of debased Kufic script reserved against scrolls and below lappet ornament, the interior of the neck with a band of scrolls, on a spreading foot, spreading hairline cracks to lower body, small associated losses, minor chipping to rims, hairline crack to rim, slight glaze flaking.

7½ in. (19 cm.) high.

Sold £43,750 Christie's auctions
AN HISPANO-MORESQUE LUSTRE ALBARELLO
CIRCA 1400-50, VALENCIA (PROBABLY MANISES)

Decorated in brown lustre and blue, with a central broad band of crossed lustre lines forming quartered squares with lustre crosses at the divisions, the blue bands above and below divided into compartments with stylized alafias, lustre scrolls and lustre geometric designs, the lower part and indented footrim with lustre bands, the shoulder with further lustred ornament, the neck with a band of blue stylized alafias and lustre scrolls between blue bands (large chip to footrim, very slight chipping and flaking to extremities).

5/8 in. (28.6 cm.) high.

Sold £60,000 Christie's auctions
A VENICE MAIOLICA LARGE ISTORIATO STORAGE-JAR
CIRCA 1560-70, WORKSHOP OF MAESTRO DOMENEGO DA VENEZIA

Of cylindrical form, painted with a warrior on a rearing stallion, named in blue gothic script for Mostard on an elaborate ochre-ground label flanked by a figure carrying a basket of fruit and another with a barrel on his back, the reverse with a running hound (some faint hairline cracks and glaze cracks, slight chipping and glaze losses to footrim).

13 ½ in. (34.2 cm.) high.

Sold £17,500 Christie's auctions
A DUTCH DELFT SILVER-MOUNTED ARMORIAL OVIFORM JUG
LATE 17TH/EARLY 18TH CENTURY, THE UNDERSIDE OF THE HINGED SILVER COVER WITH INDISTINCT MARKER'S MARK

Painted with a crowned coat-of-arms of William III of Orange, enclosed within a garter and his motto Honi soit qui mal y pense (shamed be he who thinks evil of it) below Vÿva Oranie flanked by two verses relating to the Franco-Dutch war (1672-1678), the hinged silver mount with ball thumbpiece and engraved leaf-shaped mount to handle, restoration and overpainting to neck, minor glaze chipping.

9¼ in. (23.5 cm.) high overall.

Sold £1,750 Christie's auctions
A DUTCH DELFT BIBLICAL LARGE SHAPED OVAL PLAQUE
DATED 1756 TO THE REVERSE

Painted in blue with Christ healing a blind man, identified in Dutch as EUAN: JOA 9 VER.1 (John 9:1), accompanied by four disciples, within elaborate polychrome foliate scrollwork borders incorporating vases of flowers and putti.

22 ½ in. (57.1 cm.) high, 17 ½ in. (44.4 cm.) wide.

Sold $8,125 Christie's auctions
A LONDON DELFT BLUE AND WHITE DATED ARMORIAL WINE-BOTTLE
1649

Of globular form with loop handle, painted with the arms of the Grocers' Company surrounded by stylised foliage mantling and the initials WEM and date 1649 beneath flourishes, restoration to handle, neck and about the handle at reverse, chipping to rim.

7 7/8 in. (19.9 cm.) high.

Sold £39,650 Christie's auctions
AN ENGLISH DELFTWARE DATED ROYAL PORTRAIT CHARGER OF CHARLES II
1670, LONDON

Painted in blue, yellow, ochre and manganese with the King standing wearing his coronation robes holding an orb and sceptre, flanked by the initials C R below the date 1670, beside the opening of a fence, on a hatched foreground, within a triple blue-line concentric surround and blue-dash border, the underside with a bluish-green lead glaze (cracked and restored, minor rim chipping).

13 ¼ in. (33.5 cm.) diam.

Sold £60,000 Christie's auctions
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