Ivory
Ivory is a hard, white material from the tusks (traditionally elephant's) and teeth of animals, that can be used in art or manufacturing. It consists mainly of dentine (inorganic formula Ca10(PO4)6(CO3)·H2O)), one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. It has been valued since ancient times for making a range of items, from ivory carvings to false teeth, fans, and dominoes. Elephant ivory is the most important source, but ivory from mammoth, walrus, hippopotamus, sperm whale, killer whale, narwhal and wart hog are used as well. Elk also have two ivory teeth, which are believed to be the remnants of tusks from their ancestors.

Both the Greek and Roman civilizations practiced ivory carving to make large quantities of high value works of art, precious religious objects, and decorative boxes for costly objects. Ivory was often used to form the white of the eyes of statues.

There is some evidence of either whale or walrus ivory used by the ancient Irish. Solinus, a Roman writer in the 3rd century claimed that the Celtic peoples in Ireland would decorate their sword-hilts with the 'teeth of beasts that swim in the sea'. Adomnan of Iona wrote a story about St Columba giving a sword decorated with carved ivory as a gift that a penitent would bring to his master so he could redeem himself from slavery.

The Syrian and North African elephant populations were reduced to extinction, probably due to the demand for ivory in the Classical world.

The Chinese have long valued ivory for both art and utilitarian objects. Early reference to the Chinese export of ivory is recorded after the Chinese explorer Zhang Qian ventured to the west to form alliances to enable the eventual free movement of Chinese goods to the west; as early as the first century BC, ivory was moved along the Northern Silk Road for consumption by western nations. Southeast Asian kingdoms included tusks of the Indian elephant in their annual tribute caravans to China. Chinese craftsmen carved ivory to make everything from images of deities to the pipe stems and end pieces of opium pipes.

The Buddhist cultures of Southeast Asia, including Myanmar, Thailand, Laos and Cambodia, traditionally harvested ivory from their domesticated elephants. Ivory was prized for containers due to its ability to keep an airtight seal. It was also commonly carved into elaborate seals utilized by officials to "sign" documents and decrees by stamping them with their unique official seal.

In Southeast Asian countries, where Muslim Malay peoples live, such as Malaysia, Indonesia and the Philippines, ivory was the material of choice for making the handles of kris daggers. In the Philippines, ivory was also used to craft the faces and hands of Catholic icons and images of saints prevalent in the Santero culture.

Tooth and tusk ivory can be carved into a vast variety of shapes and objects. Examples of modern carved ivory objects are okimono, netsukes, jewelry, flatware handles, furniture inlays, and piano keys. Additionally, warthog tusks, and teeth from sperm whales, orcas and hippos can also be scrimshawed or superficially carved, thus retaining their morphologically recognizable shapes.

Ivory usage in the last thirty years has moved towards mass production of souvenirs and jewelry. In Japan, the increase in wealth sparked consumption of solid ivory hanko – name seals – which before this time had been made of wood. These hanko can be carved out in a matter of seconds using machinery and were partly responsible for massive African elephant decline in the 1980s, when the African elephant population went from 1.3 million to around 600,000 in ten years.

Ivory articles are usualy found in Fine Furnishings and Decorated Arts auctions at Centurion Auctioneers which are held regularly.

Click on the images for more information.

Should you have any questions in regards to Ivory articles that you might wish to evaluate or to list in future auctions, please visit the CONTACT page , the VALUATIONS page or the REQUEST INFORMATION page or send an email to Centurion Auctioneers - info@centurion-auctions.com
AN ASSEMBLED GROUP OF SEVEN SOUTH GERMAN OR AUSTRIAN CARVED IVORY FIGURES
LATE 19TH AND EARLY 20TH CENTURY

Each mounted on turned wood barrel bases with ebonised banding.

6 ½ in. (16.5 cm.) high.


Sold £1,375 Christie's auctions
A GERMAN IVORY MEMENTO MORI
19TH CENTURY


3¼ in. (8 cm.) high.


Sold £2,125 Christie's auctions
A GERMAN SILVER-MOUNTED CARVED IVORY TANKARD
LAST QUARTER 19TH CENTURY

The repoussé lid surmounted by a pair of Bacchic putti, the body carved in bas-relief with a Bacchanalia scene, the handle carved with a nymph and satyr, on a foliate foot cast with cherub masks, the underside struck with spurious hallmarks.

14¾ in. (37.5 cm.) high.


Sold $37,500 Christie's auctions
A PAIR OF CARVED IVORY FIGURES OF MARS AND VENUS WITH CUPID
DIEPPE, 18TH CENTURY

Each on a shaped ivory and wooden socle with four ivory feet.

6¾ in. (17 cm.) high; 9 in. (23 cm.) overall.


Sold £4,000 Christie's auctions
AN ENGLISH IVORY PORTRAIT RELIEF BUST OF ISAAC NEWTON
18TH CENTURY

Set in an associated stained wood oval frame.

4¼ in. (10.5 cm.) high.


Sold £500 Christie's auctions
A CARVED IVORY FIGURE OF SAINT MICHAEL AND THE DEVIL
SOUTH-GERMAN, CIRCA 1700

On an ivory and ebony turned soccle, Dieppe, late 18th century.

35 cm. high overall.


Sold €3,750 Christie's auctions
A LARGE IVORY ROSEWATER BOTTLE
SOUTH INDIA, 19TH CENTURY

Of cylindrical form, on circular foot with plain base, decorated with repeating dotted roundel motifs forming geometric patterns, inlaid with red composition, the bulbous tiered stopper with similar decoration.

10 3/8in. (26.4cm.) high.


Sold £4,000 Christie's auctions
A JAPANESE IVORY OKIMONO OF A FISHERMAN
MEIJI PERIOD (1868-1912)

The fisherman is modelled standing holding a fishing net, the base applied with a red signature plaque signed Hozan.

8 3/8 in. (21.2 cm.) high, wood stand.


Sold £625 Christie's auctions
A LARGE CANTONESE IVORY PUZZLE BALL AND CARVED STAND
CIRCA 1900

The outer ball and sections of the stand deeply carved and pierced with writhing dragons intertwined with clouds, the stand carved with a figure drinking tea or wine surrounded by ladies holding flowers and the centre of the column has an integral puzzle ball.

The ball 5 ½ in. (14 cm.) diam., ball and stand 28 ½ in. (72.4 cm.) high, wood stand.


Sold £11,250 Christie's auctions
A CHINESE CANTON IVORY WORK BOX
CIRCA 1840

Of rectangular form with canted corners and loop carrying handles, the cover and sides elaborately carved and pierced with numerous figures in various leisurely pursuits within tiered tree-lined landscapes and river scenes, all supported on four claw-feet, the interior with a compartmented drop-in tray.

13 in. (33 cm.) wide.


Sold £11,875 Christie's auctions
AN ITALO-FLEMISH IVORY CRUCIFIX FIGURE
18TH CENTURY


12 ½ in. (32 cm.) high.


Sold £1,375 Christie's auctions
A CHINESE DEHUA FIGURE OF A SEATED GUANYIN
19TH/20TH CENTURY

the goddess modeled seated at royal ease with her arm resting on a support near a stack of books, covered in an ivory-toned glaze, faintly impressed square seal on back.

5 ¾in. (14.6cm.) high.


Sold $1,500 Christie's auctions
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